Nathan Berry TV and film

  1 Does the episode follow a 3-act structure and/ or classical Hollywood narrative.   The episode starts of with everything going  well, using Todorov’s narrative we can recognise that after   sherlock and his sidekick are a regular job working on a intrusion, the y make a discovery that someone was murdered, breaking the equilibrium and forcing the protagonist to peruse fixing the problem to return thing back to normal, Sherlocks sidekick and date are captured eventually after sherlock finds out more about the crime syndicate their up against and sherlock proceeds to rescue them and save the day, returning the story back to the equilibrium that the characters think is ok, this is proleptic dramatic irony because we know that it’s not over and is left on a  cliff-hanger , the structure reinforces  Todorov’s  narrative, however it’s not conventional and is non linear      2 How does binary opposition apply itself .   Binary opp...

  Directors have full creative control over the production on set they are also in charge of what happens story wise and work closely with the writers however overlook all aspects. Directors are employed by the producer or executive producer who ultimately have full control if they want a particular message or scene in the production the director will create this adding creativity to capture the audience with techniques and imagery using the mise en scene . Directors will frequently join the writers who are essential for the director’s vision which will be the end product and help write and create the story with feedback and criticism which should be in the best interests of the story.   Depending on the budget of the movie the director may also do other jobs as well to do with visual aesthetic to help the diegeses of the product and also may play a role in the movie whether an essential character or a side character whose less important to the story.  They also work with...